sulei.uk — section colours

Three sheets, three accents

Chrome held constant: paper, ink, rules, buttons, stamps and the mono labels never change. Only the folio, the kicker, links, one clause of the title and the band’s inset rule take the section’s colour.

sulei.ukSheet 02 — the index

the index — the sheet

The work, entered in the ledger with honest statuses

Twelve products, live, paused or in the oven — from a desk-booking marketplace to a component design system.

View my CV →Read the sheet
01DayDeskrSaaS · design + code2024 →
02A second entryFiled plainly2025
sulei.Work · the closing field
sulei.ukSheet 04 — the log

the log — the sheet

Essays on the craft, journals from the build

Two tracks, both signed by me: essays that dig into design systems, and the unvarnished record of shipping.

View my CV →Read the sheet
04Live or die by exceptionsEssay · design systemsMay 2026
02A second entryFiled plainly2025
sulei.Writing · the closing field
sulei.ukSheet 06 — the person

the person — the sheet

Two truths, one person

By day I lead interaction design in the public sector; after hours I build my own products. Both halves make the other better.

View my CV →Read the sheet
01Lead UX Interaction DesignerMoney and Pensions Service2023 →
02A second entryFiled plainly2025
sulei.Profile · the closing field

What stays

  • Paper, ink and both rule weights
  • The solid button — ink, never accent
  • Status stamps — colour plus the word
  • Every mono label, nav and theme control
  • Focus rings stay accent-free, 2px ink

What moves

  • The folio line and the kicker number
  • Links, and the underline draw
  • One clause of the sheet title
  • The band’s inset rule and its mono note

My reading

Three columns make it obvious: the sheets still look related, because everything structural is shared — but they no longer look like the same document. Oxblood reads as the archive, olive as the study, cocoa as the introduction. Whether that is wayfinding or decoration is the question this page cannot answer for you.